Willow Rhiannon
21. she/they đłď¸âđđşđ¸đ´ó §ó ˘ó Ľó Žó §ó ż
Willow Rhiannon
21. she/they đłď¸âđđşđ¸đ´ó §ó ˘ó Ľó Žó §ó ż
21. she/they đłď¸âđđşđ¸đ´ó §ó ˘ó Ľó Žó §ó ż
21. she/they đłď¸âđđşđ¸đ´ó §ó ˘ó Ľó Žó §ó ż
My name means âfreedomâ in a lost language,
yet the freedom I knew was long taken
Metal pulls my limbs, surrounds my new world
The little light Iâm gifted shows the birds
making their little escape, unnoticed
Boundaries drawn from tension, not safety,
set my life circling the inside,
inside of somewhere never home
Bad, bad Santa doesnât know whatâs coming Bad, bad Santa doesnât know weâre through
Bad, bad Santa cider-drunk again Bad, bad Santa needs to watch his mouth
Bad, bad Santa tripping through the snow Bad, bad Santa thinks heâs coming home
Bad, bad Santa canât see us hiding Bad, bad Santa will find no toys
Bad, bad Santa stuck in our trap Bad, bad Santa keeps on struggling
Bad, bad Santa breaks his dying bones Bad, bad Santa curses our graves
Bad, bad Santa will be bad no more
Ever since my great escape, those who know and those who donât praise me, my unending fate
âHow did manage to you survive?â âYouâre a breathing inspirationâ âAnd I could never find such driveâ
They see how I pushed through hell, but not how I burned my skin gone They see how far I flew and fell, but not how hard I hit the ground
Because I didnât shatter, I let no cracks pause my path Because my heart held less matter, I didnât let my blood feel wrath
Until here, until now
They speak of it like history, like a memoir in the writing, as if Iâd left behind the worst of lifeâs never-ending curse
This relationship is transactional, but we both prefer it that way. Every piece you take of my soul, I get what I need in return.
I havenât gone hungry since before we met, and now my wished-upon lover and I reside in the castle you supplied. What happened to the previous owners, no matter â I just requested you to release their anguished spirits into your realm.
With them no longer haunting behind these walls at night, I have the peace and quiet I always craved.
Maybe these halls and rooms are too quiet now.
When did my âneedsâ turn into âwantsâ? The version of myself from before I first summoned you wouldâve found an answer eventually. Now though, I have much bigger questions: What should I do when my soul runs out? What could I bargain with then?
You gave me a new body I never tire of admiring, but you never cared for human desires. Each time we meet, I can see in your fire-red eyes that our agreements will end soon.
I know I must become your apprentice eventually. I didnât ignore those warnings in the tattered book I used to call you. For now, however, I will relish in the life I always deserved.
I only admire you from afar Wondering what Iâd feel like in your arms I repeat your smile in my mind Pretend you were smiling at me
Are you dropping these clues just for me? You mention the number nineteen Of course, you know thatâs my age Really, who do I need to persuade?
I find your address and park behind the trees Car running quieter than my heartbeat Leave, slam the door and run through the rain Please, donât damper the flame
Rose thorns prickle my fingers Blood rushes, heart swells bigger Trainers kick puddles too loud You hear, then you turn around
Give you my hand, but petals fall You look just like a perfect doll Still stiff, wide-eyed, mouth so silent âTil you open words of violence
My veins tighten, skin on fire Hand clenches thorns, still tighter Scrape the thorns against both your eyes The voice that I once craved now cries
Rain stalks my bad luck to my car My least successful date so far Leaving without my movie kiss Time to burn your name off the list
The last parent heads towards the parking lot, his childrensâ hands in his.
A breeze blows through the playground, distilling the cold air that seemed unmovable. Leaves scatter, and I stand up from the picnic table, putting my phone away.
I bunch up Tylerâs coat in my arms, the closest thing I have to a security blanket.
He needs this more than me.
Normally, calling out his name and telling him heâs won sends him crawling out from wherever heâs hiding, giggling all the way.
But that hasnât worked this evening.
Chains begin to creak behind me.
I look over my shoulder.
A girl sits slumped in the swing furthest from where I stand. Her bare feet trail along the mulch, not resisting the swingâs movement.
I step toward her, old trainers squeaking, and step again, and again, and again, like someoneâs telling me how.
What sheâs wearing canât be more than pajamas, a dull, grey cotton I donât imagine any child choosing over the normal colorful patterns, like Tylerâs firetruck PJs waiting for him at home.
âHi, there,â I say to the girl, my voice a higher pitch than normal.
Her eyes stay wide open, staring straight ahead. Her eyes are glazed, seemingly seeing through the woods not far ahead.
I open my mouth, close it, and then open it again. âMy name is Leah,â I tell her, sounding much too formal, âand Iâm looking for my brother. His nameâs Tyler.â
I pause.
No response.
I shift from foot to foot. âHave you seen him?â
She blinks for the first time, slowly, mechanically.
âHeâs a bit younger than you, and he has dark hair like mine, and heâs wearing a blue football jersey.â
I should never have let him take his coat off in this weather. He said it made running around too warm to be fun, and I didnât want him to make a fit over nothing.
The girlâs eyes focus somewhere on my face that isnât my eyes, the way Tyler looks at all of us when he sleepwalks at night.
The girl mumbles something, only a few syllables.
âSorry, can you speak up? This wind is really loud.â
The wind wasnât that loud.
âMillie.â
I crouch slightly. âMillie?â
She sits up straighter, her head almost level with mine. Iâm short, but sheâs taller than I realised.
I smile, cracking my face muscles out of hibernation. âYouâre Millie? Thatâs a nice name. Itâs good to meet you, Millie.â
She turns forward again.
Her hand reaches up from the side, and my insides jump. She scratches at her face, leaving white lines and dirt along her cheek. Each nail is longer than it should be, like an animalâs claw.
I swallow and take a step back. Tylerâs coat is tighter in my arms than before.
My phone sits deep in my pocket, still warm. If I call Mum now, will she pick up?
âIf youâre cold,â I begin slowly, part of myself wanting the other to stop talking, âI can give you my brotherâs coat. I think it would fit on you until we find him.â
The playground seems oddly quiet, and then the silence hits me: The chains stopped creaking. Her swing sits unmoving, and the girlâs toes sink into the mulch, like quicksand pulling someone under.
I look up and around. No one else is in sight, not even down the street or along the woods.
âWe should find your parents, too,â I say. I turn back to her. âDo you know where your parents are?â
âParents?â she asks as if dazed, like sheâd waken from a long nap.
Maybe I should find an adult. Any adult.
I nod, although to who, I donât know.
âI think Iâm just going to keep looking,â I tell her, and begin walking backwards to who knows where. âThank you anyway, though-â
âDoes Tyler need parents?â
I stop. His coat slips in my hands.
âWhat?â
Still facing forward, her eyes slide towards me, slower and steadier than they should be.
âI donât think he needs to be found,â she says, and her voice sounds croakier, like something unearthed after years of being buried.
I keep moving backwards, quickly, then turn, turn to the woods and its trees, blocking most of where the sun should be in the horizon.
âLeah?â she calls, sounding closer.
I stop again, but not because of her.
Tied to a branch on the forestâs edge is something blue and smeared in dark red.
A football jersey.
âSir, did you hear something?â
Thompsom didnât falter. âHear what? The wind?â
The snow pulled my boots in, slowly. My goggles had clouded, but I stared past the fogginess and into the gaping hole.
âI⌠donât know,â I told him. âMaybe.â
Wind whipped through the valley, fluttering the thick fabric of our clean-up suits, designed to withstand temperatures even as skin-biting as these.
The ice had frozen over this unidentified object, a cocoon our team had been working to chip down. Now I stood near the entrance - or at least, what we thought was the entrance.
Something lower than the wind called from inside there. Not out to me, I didnât think, but out to the world.
I pulled my boot out and stepped forward. It sank, slower this time. I took another one, and another.
The calling grew louder.
âEvans?â someone said somewhere behind me. Possibly Thompson. His voice distorted like words under water, and the features of his face blurred in my mind.
I stepped close enough to the doorway Sanchez and a few others had pried open with the crane. The gaping hole, jagged edges and all, was impossibly dark in this light. I had to get closer - I had to see more.
Whatever called me, it needed help.
Was it hurt?
Was it trapped?
In the corner of my eye, the metal walls, dark grey and rusted, began shifting.
For the first time since hearing the calling, I blinked.
All movement stopped.
âEvans!â shouted the people behind, voices blended together. âEvans, get back here! Itâs not safe!â
I would not let them stop me.
My boot set down and connected with metal, and it released a strange whine, like Iâd stepped on something living. The calling raised in volume, raised in intensity, like a thousand voices howling at once.
The walls moved again.
And they didnât stop.
The hole moved downwards, towards each other, closing in.
The sunlight behind me dimmed.
The light inside glowed where it hadnât closed before.
Somewhere within, the calling stopped, a choir cut short of their grand finale.
I turned, weighed down by my snow suit, and looked at the veins of where metal had melded together, not seamlessly.
I didnât turn back to where the calling came from.
Lottie is independent.
Despite having little education, she taught herself to read properly and how to incorporate magic with household items. At nineteen years old, she lives in a tiny apartment by herself and, until recently, she paid for everything she owns - which isnât a lot - as a factory worker.
She has a strong work ethic, as she feels motivated to prove that she is capable and doesnât need to rely on others. Sadly, this didnât help her from being fired after a manufacturing accident that destroyed much of her arm.
Lottie is resentful.
While she doesnât realize this about herself, part of the reason that sheâs so self-reliant is because she has little trust in other people.
Sheâs experienced many disappointments and injustices, from parents that were too sick and preoccupied to raise her to living in a dangerous area to a workplace mutilation resulting in her losing her only source of income. Lottie harshly judges people more privileged than her, mostly out of envy and seeing their apathy firsthand.
However, her sensitivity to injustices deeply imbedded a sense of fairness in her. She doesnât screw over other people, even when doing so could benefit her.
Lottie is adaptable.
Growing up, her environment was limited in opportunities. She had to make the best with what she had, which included finding second-hand clothes and sometimes making her own, working around problems in her family and in society, and making decisions when no one else could.
She had to leave school as a young teenager, and even before then, she hadnât learned very much from the shoddy system. Now though, she frequents the run-down library down the street, not just for free food, but also to read their fiction and learn from their non-fiction. What Lottie found the most interesting (so far) is the history of the city she lives in, Albrecht, and how to use magic.
Her preferred method of learning, however, is through hands-on experience.
Before she lost part of her arm, she experimented with infusing magic with physical items. Her favorites are a pair of gloves she made to be fire-resistant and a pair of goggles that can detect magic, although the latter are somewhat faulty. Even after losing one hand, she still doesnât let that stop, even when she feels like a failure, even when she feels like giving up.
Lottie doesnât place as much value on human relationships, as sheâs used to having to adapt to peopleâs roles changing in her life. However, throughout the story she stars as the main character in, she learns to connect with people more and becomes more sentimental.