Writing Prompt
Writings
Writings
STORY STARTER
An artist must spend hours painting one person, but they become enamored with the subject's beauty to the point of their distraction.
Whichever narrative viewpoint you choose, try to include emotive and evocative language to portray the artist's fascination.
Writings
There is beauty in paint
Stroke here
Stroke there
But ‘Twas not perfect yet,
For she needs portrayal in the most
Gorgeous way
Just like her.
The way the hair falls,
A curl of light
Stroke here
Stroke there
Wrong stroke
Wrong line
Slightly wrong curl
Colors too dark
Unlike her.
Tear it up
Rip
Start again
Not like her
The light falls just right
I can’t create that light
Not the grace or the
Dance...
When Zelda walked in, I couldn’t keep my eyes from looking anywhere but her.
She was _beautiful_.
Her hair was a dark brown, and in the sun sparkled almost golden.
Her face was pale, but fair and sharp.
Amber eyes lite up her face, and dark lashes fluttered up and down.
Her nose was straight with a small bump.
Zelda was beautiful in an artist’s eye; in my eyes she was divine.
Every angle of ...
“It takes years to paint perfection”
I tell that to anyone that asks
Why are you taking so long when normally your masterpieces take only weeks?
Why is barely any paint on the canvas?
Why do you just stare at that poor girl for hours on end?
Perfection
How can you paint utter perfection?
How can you even put something that beautiful on a canvas without taking away some of thier glory?
The g...
Sitting there on the unworthy stool, I almost want to pull it away and bring in the perfumed couch. But of course I can’t do that, now. You’re comfortable already, fanning yourself in the heat and humidity of the day. The flaps of the tent are still; there is no breeze today, but you are so deserving of one. I can’t bring my eyes away from yours, anyhow. This whole time, the whole three hours I’ve...
Reds as dark as the color of blood. Blues shining like a sparkling ocean. Yellows as bright and radiant as the sun. These are the colors I am used to using while painting scenery or portraits, but they aren’t good enough for the woman in front of me. Not even a little bit.
She has dark, luscious wavy black hair, and expressive light brown eyes that sparkle in the candlelight. Cheeks lightly dust...
I love my job. I do what I love and people want it. Never do something you love and are good at for free.
I put my mind and soul into what I paint. And today I am only drawing eyes, something that I have had a fascination with since I discovered my love for watercolor. I can do acrylic and even just charcoal or chalk, and I am just as good at it too. But that doesn’t matter. I am also good at th...
I have spent my whole life
Loving others "too much"
More than myself
More than life
I have loved to hard
too intensely
too invasively
But i don't think i have
i believe the real issue
is that my love language goes
far too under appreciated
far too often
Shakespeare wrote with so much passion
Just as Michelangelo painted
Everyone love the artists that loves too much and too hard and too i...
“Stupid, stupid, stupid” I mutter slamming the car door closed.
“Stupid. It’s all stupid.” I scream at the top of my lungs.
I’m at a hill, a 10 minute drive away from my house in the pouring rain. It’s isolated, perfect.
I jump and scream. My body’s getting drenched but who cares at this point. Clearly not me.
I storm to the trunk of my car and pull out a golf club that the old owner left in ...
Never been chosen
Never been it
Never been asked
If they can paint my portrait
Inside I have colors but
To others
I’m gray
I want them to see me but
They look away
Ok, I’ll stop
It’s too sad
But that’s because it’s true
I just don’t have charisma
And there’s nothing I can do
If only there was something
I could be
That adds value to you
But I’m not what you want
Nothing you can use
I’m ...
It was an expected average Thursday of refining another memorial portrait. Either the family lost their photos in a natural disaster, or would like a colored version of the monochrome portrait. I've been painting realistic replicas for 48 years now -- and I'd say that no person would be able tell the difference between my painting and a color film. They call me the Undead da Vinci, and to be hones...
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